Monday, April 25, 2016

Painting Lace!!!

It's not quite done....the lace, I mean, not the painting. I still have some touching up to do on the lace fabric on both sides, and I need to work on wrapping the image around to the sides. That's another exercise in tedium! It is coming along, slowly. I am now thinking about the next painting, and wondering how that's going to be accomplished. Much to think about, and software must be bought and learned before I can dive into that one's complexities. I still have much to do on Guilt, however, even though it looks quite well along. Now that the lace is done I feel somewhat relieved to go on about my way on the rest of it.

Saturday, April 16, 2016

Guilt - Painting Lace!!!

This represents about 6 or 7 hours of painting, not including the hours of preparatory work making a clear plastic overlay, then transferring that to the canvas. Obviously there will be 6 or 7 hours more painting, but I'm totally exhausted and I'm quitting for today.

This tedious exercise is one that I hope I don't do to myself too many more times! What you see is the lace fabric partially painted, after a lengthy transfer to the canvas using several transfer methods. On the left side I used Richeson Transfer paper that seems to disappear when painted over, but it is hard to see on a dark field so I use my own transfer paper that I learned to make in an Egg Tempera workshop. Pigment of any color mixed with Denatured Alcohol and painted onto tracing paper. Some colors are better than others, and what you see here is my own transfer paper made with a yellow ochre pigment. Sometimes I need to go over it with a yellow pastel pencil. It is, as I said.... tedious!!

Sunday, April 3, 2016

I have been working on Guilt!!!

GUILT April 1, 2016

My last post was quite awhile ago, but I have been working steadily on Guilt over the past months. It is very hard work, indeed, as the painting is physically large, and requires a bit of an effort to haul it around my studio. The work itself is also hard, as it requires incredible focus on my part to get everything right. The still life is still sitting in a corner of my studio, gathering dust, and it is an invaluable aid when checking values and colors. There is still a great deal of work to do, but it is finishing work, and so I feel that I am on the down-slope.