An Apple a Day Keeps The Stars in Line Sepia Ink on Bristol Plate
The show is hung and judged and it actually came off fairly well, in spite of my jitters and extra work. I don't do ink drawings very often, as I like to "color" with my graphite pencils. Ink has its problems, the main one, obviously, is about erasing and making mistakes. There is just so much you can do with whiteout. The main problem with making ink drawings is how to do graduated tones when you only have the one tone of the ink itself. You must indicate values by various hatchings, stipples, stripes, and other devices to make it appear lighter and darker where you want shadows and highlights to be. I never liked most of my previous ink drawings, although seeing some of them again, years later, they didn't seem so bad as I had remembered. Perhaps I'm mellowing, because I started to like this drawing early on, and used tracing paper overlays to "test" the wavy lines to see if I liked them, before making a commitment that could not have been changed.
Matted and framed, this drawing may be one of my favorites. As an aside, the photograph above seems to imply it is on grey paper, but it is actually on a white paper, and I need to reshoot the photograph to get it to appear on white paper, and not a grey.
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